| |
Records |
Links |
|
Author |
Thompson, Christopher |
|
| |
Title |
Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords  |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Uppsala universitet |
Place of Publication |
Uppsala |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ thompson_norges_2018 |
Serial |
87 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Burke, David |
|
| |
Title |
Political Expression in Doom Metal |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
University of Southampton |
Place of Publication |
Southampton |
Editor |
|
|
| |
Language |
en |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_political_2018 |
Serial |
447 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pelletier, Samaël |
|
| |
Title |
Extreme metal : subculture, genre, and structure |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Université de Montréal |
Place of Publication |
Montréal |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pelletier_extreme_2018 |
Serial |
690 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
O’Neill, Andrew |
|
| |
Title |
La historia del heavy metal |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Blackie Books |
Place of Publication |
Barcelona |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-84-17059-53-8 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ oneill_historia_2018 |
Serial |
1483 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Fuertes Sánchez, Fernando |
|
| |
Title |
Configuración del underground metalero en Bolivia: El caso de la banda de metal extremo Subvertor |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Universidad Andina Simón Bolívar |
Place of Publication |
Quito |
Editor |
|
|
| |
Language |
es |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fuertes_sanchez_configuracion_2018 |
Serial |
1585 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Guibert, Gérôme |
|
| |
Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
Type |
Book Chapter |
| |
Year |
2018 |
Publication |
Made in France: Studies in Popular Music |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
296 |
|
| |
Keywords |
|
|
| |
Abstract |
Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
|
| |
Address |
711 Third Avenue, New York, NY 10017 |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
paperback, hardback, eBook |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2470 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Guberman, Daniel |
|
| |
Title |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
Type |
Book Chapter |
| |
Year |
2018 |
Publication |
Tyrannny and Music |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
183-198 |
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Lexington Books |
Place of Publication |
New York |
Editor |
Joseph E. Morgan; Gregory N. Reish |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
9781498546812 (hardback); 9781498546829 (eBook) |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2513 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Busey, Sean D. |
|
| |
Title |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
67 |
|
| |
Keywords |
Activism; American history; Censorship; Children; Communication and the arts; Conservativism; Heavy metal; PMRC; Political science; Social sciences |
|
| |
Abstract |
Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
University of Nevada |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-0-438-17184-8 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2206 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Rowe, Paula |
|
| |
Title |
Heavy Metal Youth Identities |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Adolescent psychology; Sociology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Emerald |
Place of Publication |
London |
Editor |
|
|
| |
Language |
en |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-78756-850-1 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ rowe_heavy_2018 |
Serial |
498 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Heesch, Florian |
|
| |
Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
Type |
Journal Article |
| |
Year |
2018 |
Publication |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
Abbreviated Journal |
|
|
| |
Volume |
11 |
Issue |
|
Pages |
1-18 |
|
| |
Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
|
| |
Abstract |
Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
|
| |
Address |
https://journals.openedition.org/ |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2108-6907 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2320 |
|
| Permanent link to this record |
