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Author |
Hofmann, Alexander |
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Title |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
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Journal Article |
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Year |
2020 |
Publication |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
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Volume |
15 |
Issue |
1 |
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73-91 |
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Keywords |
Viking metal; Folk metal; Pagan metal; Subgenres; Musical analysis |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2011 |
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Author |
Alasia, Ezequiel |
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Title |
The Reason Behind My Writing: Another Day of Being |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen. |
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Pages |
72-83 |
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Keywords |
Non-Western scenes; Argentina |
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University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
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English |
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978-1-78938-299-0 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_reason_2020 |
Serial |
739 |
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Author |
Spracklen, Karl |
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Title |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
Type |
Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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Volume |
6 |
Issue |
1 |
Pages |
71-86 |
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Keywords |
Paganism; Folk; Extreme Metal; Atlantean Kodex |
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en |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ spracklen_wicker_2020 |
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637 |
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Author |
Mustamo, Aila |
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Title |
The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures |
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Journal Article |
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Year |
2020 |
Publication |
Young |
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28 |
Issue |
1 |
Pages |
69-84 |
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Keywords |
Black metal; Folk metal; Welfare state; Democracy; Politics; Anti-modernism |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2009 |
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Author |
Miranda Bonilla, Sergio |
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Title |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
Type |
Journal Article |
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Year |
2020 |
Publication |
Estudios sobre las culturas contemporáneas |
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Volume |
26 |
Issue |
52 |
Pages |
69-92 |
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Keywords |
Theology; Religion; Identity; Spirituality |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2028 |
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Author |
Malczynski, Bartosz |
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Title |
“Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death] |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
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Pages |
62-74 |
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Keywords |
Creativity; Creation of Death (band) |
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Wydawnictwo Naukowe Uniwersytetu Pedagogicznego |
Place of Publication |
Kraków |
Editor |
Kosek, Jakub |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2043 |
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Author |
Nowakowski, Adam E. |
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Title |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
Type |
Journal Article |
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Year |
2020 |
Publication |
Półrocznik Językoznawczy Tertium |
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Volume |
5 |
Issue |
2 |
Pages |
62–82 |
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Keywords |
Gestures; Sociology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2070 |
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Author |
Sánchez Mondaca, Maximiliano |
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Title |
Dictatorship and Metal in Chile: A Causal Relationship? |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Volume |
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Pages |
61-80 |
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Keywords |
Dictatorship; Chile; Latin America; Non-Western scenes |
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Publisher |
Lexington Books |
Place of Publication |
Lanham |
Editor |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2016 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
Type |
Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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Volume |
4 |
Issue |
1 |
Pages |
60-85 |
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Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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español |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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INTech @ brianhickam2019 @ |
Serial |
2379 |
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Author |
Pisano, Juan Ignacio |
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Title |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen. |
Abbreviated Journal |
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Volume |
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Pages |
58-71 |
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Keywords |
Poetics; Motifs; Non-Western scenes; Argentina; Ricardo Iorio |
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University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
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Language |
English |
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978-1-78938-299-0 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_passion_2020 |
Serial |
738 |
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