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Author |
Pascual Auqué , Patricia |
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Title |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
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Journal Article |
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2020 |
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Tropleías |
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7 |
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625-640 |
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Héroes del Silencio (band); Poetry; Symbolism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2495 |
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Author |
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
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Title |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
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2020 |
Publication |
Logos |
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27 |
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3 |
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s. p. |
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Afropessimism; Angola; Deconolization; Africa; Documentary film; Death metal |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2473 |
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Author |
Szpajdel, Christophe |
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Title |
Archaic Modernism: The Art of Christophe Szpajdel |
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2020 |
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252 |
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“Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.” |
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Heavy Music Artwork, PO Box 5778, Sevenoaks, TN13 9RW, UK |
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Heavy Music Artwork |
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UK |
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English |
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9781800490413, 1800490410 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2471 |
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Author |
Setničar, Robert |
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“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
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2020 |
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Black Sabbath (band); Doom metal; Style |
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Bachelor's thesis |
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Univerza v Ljubljani |
Place of Publication |
Ljubljana |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2467 |
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Author |
Castillo Bernal, Stephen |
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Title |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
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Book Chapter |
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2020 |
Publication |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
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113-134 |
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Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. |
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El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más.
En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico.
Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
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El Colegio de la Frontera Norte (El Colef) |
Place of Publication |
Tijuana, Baja California, México |
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Coordinación editorial: Érika Moreno Páez |
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español |
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Olmos Aguilera, Miguel (coordinator) |
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978-607-479-348-2 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2406 |
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Author |
Burns, Lori |
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Title |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
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Pages |
196–217 |
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Keywords |
Masculinity; Pain of Salvation (band); Disease |
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Routledge |
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Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2398 |
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Author |
Burns, Lori |
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Title |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
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Journal Article |
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Year |
2020 |
Publication |
American Music Perspectives |
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1 |
Issue |
2 |
Pages |
98-118 |
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Keywords |
Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2397 |
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Author |
López Ramírez Gastón, José Ignacio |
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Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
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Journal Article |
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Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
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4 |
Issue |
1 |
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60-85 |
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Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
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Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
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La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
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español |
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2616-681X (electrónico); 2521-8565 (impreso) |
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PDF, XML, EPUB, HTML |
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Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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INTech @ brianhickam2019 @ |
Serial |
2379 |
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Author |
Viteri, Juan Pablo |
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Title |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
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Magazine Article |
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2020 |
Publication |
R-ZINE |
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1 |
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Pages |
26-37 |
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Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
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Spanish |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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INTech @ brianhickam2019 @ |
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2295 |
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Author |
Rodríguez, Pablo |
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Title |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
Type |
Magazine Article |
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Year |
2020 |
Publication |
R-ZINE |
Abbreviated Journal |
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1 |
Issue |
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Pages |
14-25 |
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Sociedad Anómica; Universidad San Francisco de Quito |
Place of Publication |
San Francisco de Quito, Republic of Ecuador |
Editor |
Viteri, Juan Pablo |
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Spanish |
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Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. |
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INTech @ brianhickam2019 @ |
Serial |
2294 |
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