| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
DiGioia, Amanda |
Nameless, but not blameless: Motherhood in Finnish heavy metal music |
2020 |
Metal Music Studies |
6 |
237-255 |
|
|
|
DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
|
|
|
Digioia, Amanda |
Lechery, lycanthropy and Little Red Riding Hood in Type O Negative’s ‘Wolf Moon (Including Zoanthropic Paranoia)’ |
2016 |
Metal Music Studies |
2 |
233-243 |
|
|
|
DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
|
|
|
DiGioia, Amanda |
Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut |
2018 |
Sounds of origin in heavy metal music |
|
169-190 |
|
|
|
Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda (eds) |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics |
2021 |
|
|
|
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