| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Herbst, Jan-Peter |
Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music |
2017 |
Metal Music Studies |
3 |
23-46 |
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom |
2025 |
Popular Music and Society |
Latest Articles |
|
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Lorna Shore’s ‘To the Hellfire’: A study in heaviness |
2023 |
Metal Music Studies |
9 |
189-213 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Herbst, Jan; Mynett, Mark |
Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
469-481 |
|
|
|
Herbst, Jan; Smialek, Eric |
“Mixed” Results. An Introduction to Analyzing Music Production through Eight Commissioned Metal Mixes |
2025 |
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] |
22 |
61-97 |
|
