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Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
|
|
|
Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
|
|
|
Volák, Vojtěch |
Stávání se tíhou: Filozofie diference a metalová hudba [Becoming Heaviness: Philosophy of Difference and Metal Music] |
2021 |
|
|
|
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
Aquino Ruiz, Frankz Armas, Laura |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
2021 |
|
|
|
|
|
|
Iuama, Tadeu Rodrigues |
O que acontece no palco é pretexto: Ecologia da Comunicação e capilaridades comunicacionais visitam o submundo musical |
2021 |
|
|
247-263 |
|
|
|
Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
|
|
|
Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
|
|
|
Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
