| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
Lukes, Daniel; Panayotov, Stanimir (eds) |
Black Metal Rainbows |
2021 |
|
|
400 |
|
|
|
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
|
|
|
Janotti Junior, Jeder |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
|
|
|
156 |
|
|
|
Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
|
|
|
Johnson, Henry |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
2014 |
Island Studies Journal |
9 |
176-178 |
|
|
|
Vrzal, Miroslav |
Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia |
2022 |
Metal Music Studies |
8 |
245-268 |
|
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
|
|
Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
|
