| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Beach, James R.; Naron, Brian L.; Sutton, James D.; Tolin, James |
Rusted Metal: A Guide To Heavy Metal and Hard Rock Music in the Pacific Northwest (1970 – 1995) |
2019 |
|
|
|
|
|
|
Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
|
|
|
Hoad, Catherine |
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” |
2023 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
|
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Ortiz Cora, Laila Erendira |
SUJETOS EN EL METAL: SCARICACIOTTOLI Y GALICIA POBLET. ESCRITURAS DESDE EL LABERINTO DEL METAL HISPANO |
2022 |
Metal de Habla Hispana |
1 |
108-112 |
|
|
|
Miranda Bonilla, Sergio |
TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
2022 |
Metal de Habla Hispana |
1 |
105-107 |
|
|
|
Varas-Díaz, Nelson; Kobi Farhi |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
219-226 |
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
|
