|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Feria del Libro Heavy |
Cultura metálica 2: ponencias, debates y exposiciones de la 2a Feria del Libro Heavy de Buenos Aires |
2015 |
|
|
|
|
|
Calvo, Manuela Belén |
Concerning the Heterogeneity of Rock: the Aguante in Heavy Metal in Argentina |
2016 |
El Oído Pensante |
4 |
11 |
|
|
Scaricaciottoli, Emiliano |
Parricidas: mapa rabioso del metal argentino contemporáneo |
2018 |
|
|
|
|
|
Panzini, Ariel |
Heavy metal argentino: la clase del pueblo que no se rindió : análisis y diagnóstico del movimiento metalero argentino para la construcción de un marco teórico de entendimiento |
2018 |
|
|
|
|
|
Feria del Libro Heavy |
Cultura metálica 5: ponencias, debates y exposiciones de la 5a Feria del Libro Heavy de Buenos Aires |
2018 |
|
|
|
|
|
Calvo, Manuela Belén |
Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires |
2018 |
Question |
1 |
22 |
|
|
Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
|
|
Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
|
|
Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
|
|
Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
|