| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Mattson, Douglas |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
2022 |
Blasfemi, heresi, kätteri, apostasi |
|
119-131 |
|
|
|
Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
|
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
|
|
Langebach, Martin; Schulze, Christoph |
Affirmation and denial: Extreme right black metal and the Holocaust |
2020 |
Metal Music Studies |
6 |
375-393 |
|
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
|
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
|
|
Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
|
|
|
Hoffin, Kevin |
”Sans compassion nor will to answer whoever asketh the why”: Personal sovereignty within black metal |
2019 |
Metal Music Studies |
5 |
151-162 |
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
