| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Núñez, María de la Luz |
Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
48-56 |
|
|
|
Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
344-380 |
|
|
|
Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
|
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
|
|
Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
|
|
|
Paganus, Arilson |
Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
38-74 |
|
|
|
Patterson, Jamie E. |
‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina |
2016 |
Global metal music and culture: current directions in metal studies |
|
245-260 |
|
|
|
Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
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