| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Gerk, Sarah |
Placing Gender: Alice Cooper’s Motor City Move |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
84-98 |
|
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Grajdian, Maria |
Liquid Identity: Love, Heavy Metal and the Dynamics of Gender in Anime Soundtracks |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
209-226 |
|
|
|
Grant, Judith |
Boys Interrupted: The Drama of Male Bonding in Some Kind of Monster |
2007 |
Metallica and Philosophy: a crash course in brain surgery |
|
219-231 |
|
|
|
Grant, Judith |
Bring the Noise: Hypermasculinity in Heavy Metal and Rap |
1996 |
Journal of Social Philosophy |
27 |
5-31 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
|
|
|
Grünwald, Jan G. |
Male spaces: Bildinszenierungen archaischer Männlicheiten im Black Metal |
2012 |
|
|
|
|
|
|
Hassan, Nedim |
”Girls, girls, girls”? The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years |
2011 |
Popular Music History |
5 |
243-263 |
|
