| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
|
|
|
Nohr, Rolf F.; Schwaab, Herbert (eds) |
”Metal matters”. Heavy Metal als Kultur und Welt |
2011 |
|
|
|
|
|
|
Núñez, María de la Luz |
Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
48-56 |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Overell, Rosemary |
Brutal Masculinity in Osaka’s Extreme-metal Scene |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
245-257 |
|
|
|
Overell, Rosemary |
‘[I] hate girls and emo[tion]s’: Negotiating masculinity in grindcore music |
2013 |
Heavy metal: controversies and countercultures |
|
201-227 |
|
|
|
Pacheco, Leonardo T. |
“Som de Macho”: uma reflexão sobre identidade, masculinidade e alteridade entre os headbangers |
2006 |
Seminário Internacional Fazendo Gênero 7: Gênero e Preconceitos (28, 29 e 30 de agosto de 2006, Universidade Federal de Santa Catarina) |
|
|
|
|
|
Patterson, Jamie E. |
‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina |
2016 |
Global metal music and culture: current directions in metal studies |
|
245-260 |
|
|
|
Patterson, Jamie E. |
Blasting Britney on the Way to Goatwhore: Identity and Authenticity among Female-identified Fans in Semi-rural North Carolina |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Patterson, Jamie Estella |
’Getting my soul back’: Empowerment narratives among female-identified fans of death metal in North Carolina |
2016 |
|
|
|
|
