| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Rademacher, Heidi E. |
’Men of iron will’: Idealized gender in Christian heavy metal |
2015 |
Social Compass |
62 |
632-648 |
|
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Becknell, Milton E.; Firmin, Michael W.; Hwang, Chi-en; Fleetwood, David M.; Tate, Kristie L.; Schwab, Gregory D. |
Effects of Listening to Heavy Metal Music on College Women: A Pilot Study |
2008 |
College Student Journal |
42 |
24-35 |
|
|
|
Renz, Kat |
Girls! Girls! Girls |
2008 |
Bitch Magazine: Feminist Response to Pop Culture |
41 |
56-58 |
|
|
|
Ryan, Jenny Rose |
Horning In |
2008 |
Bitch Magazine: Feminist Response to Pop Culture |
41 |
54-56 |
|
|
|
Elflein, Dietmar |
What is this that stands before me? Männerbilder im Heavy Metal |
2012 |
Thema Nr. 1. Sex und populäre Musik |
37 |
79-96 |
|
|
|
Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
|
|
|
Rafalovich, Adam |
Broken and Becoming God-Sized: Contemporary Metal Music and Masculine Individualism |
2006 |
Symbolic Interaction; Hoboken |
29 |
19-32 |
|
|
|
Grant, Judith |
Bring the Noise: Hypermasculinity in Heavy Metal and Rap |
1996 |
Journal of Social Philosophy |
27 |
5-31 |
|
