| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
|
Núñez, María de la Luz |
The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi |
2021 |
Metal Music Studies |
7 |
129-138 |
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
|
|
|
Pascuchelli, María Natalia; Vidal Vargas, Pablo |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
2021 |
El oído pensante |
9 |
252-278 |
|
|
|
Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
|
|
|
Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
|
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
|
|
Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |
|
|
|
Saavedra Rodríguez, Milén Graciela |
La expresión juvenil del heavy metal en La Paz |
2015 |
|
|
|
|
