| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Heritage, Gareth |
‘It’s like a Mach piece, really’: Critiquing the Neo-classical Aesthetic of 80s Heavy Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
50-67 |
|
|
|
Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
|
|
|
Hainaut, Bérenger |
”Fear and Wonder”. Le fantastique sombre et l’harmonie des médiantes, de Hollywood au black metal |
2012 |
Volume! La revue des musiques populaires |
9 |
179-197 |
|
|
|
Efthimiou, Charris |
”Gott, da draußen sind eine Viertelmillion Menschen versau es nicht”. Ein Versuch, den typischen Iron Maiden-Klang aus musikanalytischer Sicht zu beschreiben |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
117-134 |
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
