| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
|
Pichler, Peter (ed) |
The Law of the Metal Scene: An Interdisciplinary Discussion |
2024 |
|
|
300 |
|
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
|
|
Souza, Renan Marchesini de Quadros |
A performance dialógica da música extrema |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
298-313 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
|
|
|
Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
|
|
|
Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
|
|
|
Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
On Extremity: From Music to Images, Words, and Experiences |
2023 |
|
|
290 |
|
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
