| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
|
Evangelista Ávila, Iram Isaí |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
2021 |
Impossibilia. Revista Internacional de Estudios Literarios |
21 |
237-261 |
|
|
|
Sackl-Sharif, Susanne |
The dark side of blogging: Digital metal communities and metal influencers |
2021 |
Metal Music Studies |
7 |
237-255 |
|
|
|
Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
|
|
|
Knox, Julian |
Ashes against the grim: Black metal and the grim rebirth of Romanticism |
|
Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms |
|
235-258 |
|
|
|
Fellezs, Kevin |
The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
235-158 |
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Watts, Chelsea Anne |
Nothin' But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s |
2016 |
|
|
232 |
|
|
|
Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
|
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
