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Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
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|
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
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|
|
Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Lopes, Pedro |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
2006 |
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|
Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
|
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|
|
Baert, Sébastien |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
2019 |
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|
Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
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|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
