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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Teichert, Matthew |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
59-74 |
|
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|
|
|
|
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|
|
|
Baert, Sébastien |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
2019 |
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|
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|
|
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
|
|
|
Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
|
|
|
Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
|
|
|
Medina, Javier S. |
Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music |
2017 |
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LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
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|
|
Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
|
|
|
Hofer, Dave |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
2014 |
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