|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery |
2014 |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
|
73-90 |
|
|
Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
|
|
Teichert, Matthew |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
59-74 |
|
|
Lopes, Pedro |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
2006 |
|
|
|
|
|
Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
|
|
|
|
|
|
|
|
|
|
Baert, Sébastien |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
2019 |
|
|
|
|
|
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
|
|
Jordan, James Boddington |
Harmonic Structures of 21st Century Heavy Metal |
2021 |
|
|
|
|
|
Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
|