| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hernández Parra, Sergio Isaac |
“NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA |
2022 |
Metal de Habla Hispana |
1 |
67-73 |
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Heaton, Brian J.; Naron, Brian L. |
Roads to Madness: The Touring History of Queensrÿche (1981-1997) |
2024 |
|
|
|
|
|
|
Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
|
|
|
Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
|
|
|
Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
|
|
|
Goossens, Didier |
Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
67-90 |
|
|
|
González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
|
