| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Gallina, Francesco |
La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica |
2023 |
|
|
|
|
|
|
García Serrano. Marco Antonio |
PIEL MESTIZA, MÁSCARAS BLANCAS. EL BLACK METAL MEXICANO: PROCESOS DE HIBRIDACIÓN, RACISMO Y BLANQUITUD |
2022 |
Metal de Habla Hispana |
1 |
60-66 |
|
|
|
Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
|
|
|
González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
|
|
|
Goossens, Didier |
Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
67-90 |
|
|
|
Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
|
|
|
Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
|
|
|
Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
|
