| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Friconnet, Guillaume |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
2023 |
Metal Music Studies |
9 |
77-100 |
|
|
|
Friconnet, Guillaume |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
2022 |
Metal Music Studies |
8 |
183-203 |
|
|
|
Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
|
|
|
Garcia, Marcelo Velloso; Gama, Vítor Castelões |
Brazilian native metal and the experience of transculturation |
2021 |
Metal Music Studies |
7 |
171-177 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Geliebter, David; Ziegler, Ari J.; Mandery, Evan |
Lyrical stresses of heavy metal and rap |
2014 |
Metal Music Studies |
1 |
143-153 |
|
|
|
Gibson, Dylan Lawrence |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
2022 |
Metal Music Studies |
8 |
87-108 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
Goldhammer, Rio |
After the apocalypse: Identity and legitimacy in the postdigital heavy metal subculture |
2017 |
Metal Music Studies |
3 |
135-144 |
|
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
