| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
|
|
|
Hickam, Brian |
Amalgamated anecdotes: Perspectives on the history of metal music and culture studies |
2014 |
Metal Music Studies |
1 |
5-23 |
|
|
|
Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
|
|
|
Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
|
|
|
Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
|
|
|
Hill, Rosemary Lucy; Lucas, Caroline; Riches, Gabby |
Metal and marginalization: Researching at the edges of exteriority |
2015 |
Metal Music Studies |
1 |
295-301 |
|
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
|
Hillier, Benjamin |
The aesthetic-sonic shift of melodic death metal |
2018 |
Metal Music Studies |
4 |
5-23 |
|
