| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Becker, Markus |
Der Tod und die Gesellschaft: Texte in der Hardrock- und Heavy-Metal-Musik |
2014 |
|
|
|
|
|
|
Becker, Tobias |
Die Musikrichtung Heavy Metal. Entstehung und Arten am Beispiel von Bands |
2001 |
|
|
|
|
|
|
Becknell, Milton E.; Firmin, Michael W.; Hwang, Chi-en; Fleetwood, David M.; Tate, Kristie L.; Schwab, Gregory D. |
Effects of Listening to Heavy Metal Music on College Women: A Pilot Study |
2008 |
College Student Journal |
42 |
24-35 |
|
|
|
Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
|
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
|
Belgrad, Daniel |
The Gnostic heritage of Heavy Metal |
2016 |
Culture and Religion |
17 |
279-294 |
|
|
|
Bell, Albert |
Metal in a micro island state: an insider’s perspective |
2011 |
Metal rules the globe: heavy metal music around the world |
|
271-293 |
|
|
|
Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
|
|
|
Bénard, Nicolas |
Les images de guerre dans la musique metal. Entre fascination et dénonciation |
2012 |
Societes |
117 |
113-128 |
|
