| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
|
|
|
Brown, Andy R. |
metal For The Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It To Be...) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
454-464 |
|
|
|
Philipps, Sören |
Zwischen Stereotypen und kollektivem Gedächtnis – die erinnerungskulturelle Dimension des Heavy Metals |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
445-455 |
|
|
|
Hudson, Stephen |
Metal Movements: Headbanging As A Legacy Of African American Dance |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
445-453 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Luhr, Eileen |
Punk, Metal and American Religions |
2010 |
Religion Compass |
4 |
443-451 |
|
|
|
Brown, Charles M. |
Musical responses to oppression and alienation: Blues, spirituals, secular thrash, and Christian thrash metal music |
1995 |
International Journal of Politics, Culture, and Society |
8 |
439-452 |
|
|
|
Cardwell, Tom |
Battle jackets, authenticity and ‘material individuality’ |
2017 |
Metal Music Studies |
3 |
437-458 |
|
|
|
Selfhout, Maarten H.W.; Delsing, Marc J.M.H.; ter Bogt, Tom F.M.; Meeus, Wim H.J. |
Heavy metal and hip-hop style preferences and externalizing problem behavior: A two-wave longitudinal study |
2008 |
Youth & Society |
39 |
435-452 |
|
