| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
|
|
González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
|
|
|
Lukes, Daniel; Panayotov, Stanimir (eds) |
Black Metal Rainbows |
2021 |
|
|
400 |
|
|
|
Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
|
|
|
Pichler, Peter |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
2024 |
|
|
399 |
|
|
|
Tsitsos, William |
Rules of Rebellion: Slamdancing, Moshing, and the American Alternative Scene |
1999 |
Popular Music |
18 |
397-414 |
|
|
|
Maclachlan, Heather |
(Mis)representation of Burmese metal music in the western media |
2016 |
Metal Music Studies |
2 |
395-404 |
|
|
|
Urbaniak, Kathryn |
Perceptions of Identity and Expertise in Heavy Metal Fans within One Online Community of Practice |
2014 |
Educational, Psychological, and Behavioral Considerations in Niche Online Communities |
|
395-401 |
|
|
|
Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
|
|
|
Anastasiadis, Mario; Kleiner, Marcus S. |
Politik der Härte! Bausteine einer Popkulturgeschichte des politischen Heavy Metal |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
393-410 |
|
