| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
|
|
|
Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
|
|
|
Copilaș, Emanuel |
Slayer and psychoanalysis |
2020 |
Metal Music Studies |
6 |
109-121 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
|
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
|
Quinn, Kate |
Heavy metal music and managing mental health: Heavy Metal Therapy |
2019 |
Metal Music Studies |
5 |
419-424 |
|
|
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
