| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
|
|
Lilja, Esa |
Harmonic function and modality in classic heavy metal 1 |
2019 |
Metal Music Studies |
5 |
355-378 |
|
|
|
Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
|
|
|
Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
|
|
|
Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
|
|
|
Kennedy, Lewis F.; Yavuz, M.Selim |
Metal and Musicology |
2019 |
Metal Music Studies |
5 |
293-296 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
|
|
|
Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
|
