| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Bryson, Bethany |
”Anything but heavy metal”: Symbolic exclusion and musical dislikes |
1996 |
American Sociological Review; Washington |
61 |
884 |
|
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
|
|
|
Mendelyte, Atene |
The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine |
2017 |
Criticism |
59 |
469-489 |
|
|
|
Trostle, Lawrence C. |
Nihilistic Adolescents, Heavy Metal Rock Music, and Paranormal Beliefs |
1986 |
Psychological Reports |
59 |
610 |
|
|
|
Binder, Amy |
Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music |
1993 |
American Sociological Review; Washington |
58 |
753-767 |
|
|
|
Kemp, Andrew |
Liberalism, individualism and heavy metal |
2006 |
Review – Institute of Public Affairs; Melbourne |
58 |
39-40 |
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
Granholm, Kennet |
“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music |
2011 |
Numen |
58 |
514-544 |
|
|
|
Luhr, Eileen |
Metal Missionaries to the Nation: Christian Heavy Metal Music, ”Family Values,” and Youth Culture, 1984-1994 |
2005 |
American Quarterly; College Park |
57 |
103-128 |
|
