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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
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Tolis, Sakis; Patterson, Dayal |
Non serviam: the official story of Rotting Christ |
2018 |
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Thompson, Christopher |
Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal |
2018 |
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Taylor, Matt |
メタリカ公式ビジュアルブック バック・トゥ・ザ・フロント |
2018 |
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Svetlova, Anna |
The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] |
2018 |
Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura |
10 |
|
|
|
|
Stricker, Jake A. |
Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
2018 |
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St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
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|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
|
|
Soria, Fernando |
Fuerte y claro: historia del metal en Uruguay |
2018 |
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Shafron, Gavin Ryan |
The Relationship of Intensity of Preference for Heavy Metal Music to Emotional Dysphoria |
2018 |
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Shadrack, Jasmine |
Mater omnium and the cosmic womb of the abyss: Nomadic interiorities and matrifocal black metal performance |
2018 |
Metal Music Studies |
4 |
281-292 |
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