| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
López Ramírez, José Ignacio; Risica Carella, Giuseppe |
Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992) |
2018 |
|
|
|
|
|
|
Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
|
|
|
Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
|
|
|
Karjalainen, Toni-Matti (ed) |
Sounds of origin in heavy metal music |
2018 |
|
|
|
|
|
|
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
