| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
|
|
|
DiGioia, Amanda |
Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut |
2018 |
Sounds of origin in heavy metal music |
|
169-190 |
|
|
|
DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
|
|
|
DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
|
|
|
dos Santos Silva, Melina Aparecida |
Cartas, fitas cassete e fanzines: A circulação do metal no Brasil como modelo da dádiva |
2018 |
Metal Music Studies |
4 |
231-239 |
|
|
|
dos Santos Silva, Melina Aparecida |
Letters, cassette tapes and zines: The circulation of Brazilian heavy metal as a gift system |
2018 |
Metal Music Studies |
4 |
241-249 |
|
|
|
Elliott, Peter |
”A Matter of Life and Death”: Iron Maiden’s religio-political critique |
2018 |
Metal Music Studies |
4 |
293-307 |
|
|
|
Emms, Rachel; Crossley, Nick |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
2018 |
The Canadian Review of Sociology; Montreal |
55 |
111-135 |
|
|
|
Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
|
|
|
Feria del Libro Heavy |
Cultura metálica 5: ponencias, debates y exposiciones de la 5a Feria del Libro Heavy de Buenos Aires |
2018 |
|
|
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