| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
|
|
|
Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
|
|
|
Hillier, Benjamin |
The aesthetic-sonic shift of melodic death metal |
2018 |
Metal Music Studies |
4 |
5-23 |
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
|
|
Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
|
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
|
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
|
