| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
|
Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
|
|
|
DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
|
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
|
|
|
Hay, Alexander |
Phew – What a blizzard! Black metal and the UK popular press |
2018 |
Metal Music Studies |
4 |
329-341 |
|
|
|
Coggins, Owen |
Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal |
2018 |
Metal Music Studies |
4 |
309-328 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Elliott, Peter |
”A Matter of Life and Death”: Iron Maiden’s religio-political critique |
2018 |
Metal Music Studies |
4 |
293-307 |
|
|
|
Okunew, Nikolai |
Schwere Zeiten – Medien(praktiken) der Heavy-Metal-Szene in der DDR |
2018 |
Let’s historize it! Jugendmedien im 20. Jahrhundert |
|
283-312 |
|
