| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Calvo, Manuela Belén |
Perspectiva indigenista en la música metal de Argentina |
2018 |
Metal Music Studies |
4 |
147-154 |
|
|
|
Sage, Matt; Brooker, Caelli Jo |
Manifold Intensities: Musical Identities in Contemporary Antipodean Metalcore and Post-Hardcore |
2018 |
Sounds of origin in heavy metal music |
|
141-168 |
|
|
|
Varas-Díaz, Nelson; González-Sepúlveda, Osvaldo; Rivera Amador, Andrés |
From the ‘Patio’ to the ‘Agency’: The emergence and structuring of metal music in revolutionary Cuba |
2018 |
Metal Music Studies |
4 |
137-146 |
|
|
|
Varas-Díaz, Nelson; Azevedo, Claudia; Nevárez, Daniel |
Metal in Latin America |
2018 |
Metal Music Studies |
4 |
131-135 |
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
|
|
|
Zenerian, Eleftherios |
‘Doing–listening’ with Deranged’s ”Struck by a Murderous Siege”: An auto-ethnography of death metal vinyl consumption |
2018 |
Metal Music Studies |
4 |
115-130 |
|
|
|
Emms, Rachel; Crossley, Nick |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
2018 |
The Canadian Review of Sociology; Montreal |
55 |
111-135 |
|
|
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
|
Carvalheiro, Marcus; Moraes, Taiza Mara Rauen |
O metal, suas especificidades e desdobramentos |
2018 |
Revista Confluências Culturais |
7 |
104-116 |
|
