|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Patterson, Dayal |
Black metal: into the abyss |
2018 |
|
|
|
|
|
Tolis, Sakis; Patterson, Dayal |
Non serviam: the official story of Rotting Christ |
2018 |
|
|
|
|
|
Allain, Florence |
Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours |
2018 |
|
|
|
|
|
Popoff, Martin |
Iron Maiden: album by album |
2018 |
|
|
|
|
|
Svetlova, Anna |
The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] |
2018 |
Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura |
10 |
|
|
|
Stricker, Jake A. |
Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
2018 |
|
|
|
|
|
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
|
|
Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
Hillier, Benjamin |
The aesthetic-sonic shift of melodic death metal |
2018 |
Metal Music Studies |
4 |
5-23 |
|