| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
|
|
|
Savigny, Heather; Schaap, Julian |
Putting the ‘studies’ back into metal music studies |
2018 |
Metal Music Studies |
4 |
549-557 |
|
|
|
DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
|
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
|
|
Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
2018 |
Music Perception; Berkeley |
35 |
|
|
|
|
Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
|
|
Calvo, Manuela Belén |
Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires |
2018 |
Question |
1 |
22 |
|
|
|
Carvalheiro, Marcus; Moraes, Taiza Mara Rauen |
O metal, suas especificidades e desdobramentos |
2018 |
Revista Confluências Culturais |
7 |
104-116 |
|
