| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Hutzel, Alexander Philipp |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
2018 |
|
|
|
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Rowe, Paula |
Heavy Metal Youth Identities |
2018 |
|
|
|
|
|
|
Zaddach, Wolf-Georg |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
2018 |
|
|
|
|
|
|
Panzini, Ariel |
Heavy metal argentino: la clase del pueblo que no se rindió : análisis y diagnóstico del movimiento metalero argentino para la construcción de un marco teórico de entendimiento |
2018 |
|
|
|
|
|
|
Herbst, Jan-Peter |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
2018 |
Metal Music Studies |
4 |
95-113 |
|
|
|
Ritts, Max Jacob; Greening, Spencer |
Gyitwaalkt: A Dialogue on Tsimshian War and Metal |
2018 |
BC Studies; Vancouver |
|
|
|
|
|
McCarthy, Jim; Olivent, Marc |
Guns n’ Roses: reckless life : una novela gráfica |
2018 |
|
|
|
|
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
