| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Taylor, Matt |
メタリカ公式ビジュアルブック バック・トゥ・ザ・フロント |
2018 |
|
|
|
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
|
|
|
Elliott, Peter |
”A Matter of Life and Death”: Iron Maiden’s religio-political critique |
2018 |
Metal Music Studies |
4 |
293-307 |
|
|
|
Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
|
|
|
Otterbeck, Jonas; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana; Mattsson, Douglas; Pastene, Orlando |
“I am Satan!” black metal, Islam and blasphemy in Turkey and Saudi Arabia |
2018 |
Contemporary Islam; Dordrecht |
12 |
267-286 |
|
|
|
Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
|
|
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
|
|
|
Pack, Christian |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
2018 |
Metal Music Studies |
4 |
187-196 |
|
