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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
|
|
|
Otterbeck, Jonas; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana; Mattsson, Douglas; Pastene, Orlando |
“I am Satan!” black metal, Islam and blasphemy in Turkey and Saudi Arabia |
2018 |
Contemporary Islam; Dordrecht |
12 |
267-286 |
|
|
|
Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
|
|
|
Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |
|
|
|
DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
|
|
|
Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
|
|
|
Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
|
|
|
DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
|
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
Hay, Alexander |
Phew – What a blizzard! Black metal and the UK popular press |
2018 |
Metal Music Studies |
4 |
329-341 |
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