|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Patterson, Dayal |
Black metal: into the abyss |
2018 |
|
|
|
|
|
Tolis, Sakis; Patterson, Dayal |
Non serviam: the official story of Rotting Christ |
2018 |
|
|
|
|
|
Allain, Florence |
Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours |
2018 |
|
|
|
|
|
Popoff, Martin |
Iron Maiden: album by album |
2018 |
|
|
|
|
|
Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|