| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
2018 |
Metal Music Studies |
4 |
175-186 |
|
|
|
Mendoza, Sigrid; Varas-Díaz, Nelson; Rivera-Segarra, Eliut; Vélez, Carlos |
Media representations of metal music in the Dominican Republic: Between oppression and social resistance |
2018 |
Metal Music Studies |
4 |
197-208 |
|
|
|
dos Santos Silva, Melina Aparecida |
Cartas, fitas cassete e fanzines: A circulação do metal no Brasil como modelo da dádiva |
2018 |
Metal Music Studies |
4 |
231-239 |
|
|
|
dos Santos Silva, Melina Aparecida |
Letters, cassette tapes and zines: The circulation of Brazilian heavy metal as a gift system |
2018 |
Metal Music Studies |
4 |
241-249 |
|
|
|
Hillier, Benjamin |
The aesthetic-sonic shift of melodic death metal |
2018 |
Metal Music Studies |
4 |
5-23 |
|
|
|
Mackenzie, James Alexander |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
2018 |
Metal Music Studies |
4 |
25-40 |
|
|
|
Udarchik, Anastasia |
‘If you got a tape on, you’re committed’: The revival of cassette tapes in Toronto’s New Wave of Traditional Heavy Metal scene |
2018 |
Metal Music Studies |
4 |
41-59 |
|
|
|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
|
|
Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
|
|
|
Herbst, Jan-Peter |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
2018 |
Metal Music Studies |
4 |
95-113 |
|
