|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
|
|
Savigny, Heather; Schaap, Julian |
Putting the ‘studies’ back into metal music studies |
2018 |
Metal Music Studies |
4 |
549-557 |
|
|
DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
|
Calvo, Manuela Belén |
Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires |
2018 |
Question |
1 |
22 |
|