| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Shadrack, Jasmine |
Mater omnium and the cosmic womb of the abyss: Nomadic interiorities and matrifocal black metal performance |
2018 |
Metal Music Studies |
4 |
281-292 |
|
|
|
Elliott, Peter |
”A Matter of Life and Death”: Iron Maiden’s religio-political critique |
2018 |
Metal Music Studies |
4 |
293-307 |
|
|
|
Coggins, Owen |
Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal |
2018 |
Metal Music Studies |
4 |
309-328 |
|
|
|
Hay, Alexander |
Phew – What a blizzard! Black metal and the UK popular press |
2018 |
Metal Music Studies |
4 |
329-341 |
|
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
|
|
|
Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
|
|
|
Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
