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Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
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|
González, Olga T. |
We Came and Conquered: The Complexities of Viking Metal Music and Culture |
2019 |
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Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
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|
Bayer, Gerd (ed) |
Heavy metal at the movies |
2019 |
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Gulgas, Sarah; Hassam, Nedim |
Inviting vampires into the home: MTV aesthetics and the portrayal of youth and heavy metal culture in ”The Lost Boys” and ”Queen of the Damned” |
2019 |
Heavy metal at the movies |
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Schlotterbeck, Jesse |
A different kind of rock doc: performance, persona and stardom in ”Anvil! The Story of Anvil and Last Days Here” |
2019 |
Heavy metal at the movies |
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Savigny, Heather; Sleight, Sam |
”Bück Dich”: Rammstein in Amerika and the subversion of masculinized sexuality |
2019 |
Heavy metal at the movies |
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Weinstein, Deena |
”This is Spinal Tap” mocks metal and more, a lot more |
2019 |
Heavy metal at the movies |
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Klypchak, Brad |
”Dio can you hear me?”: kitsch, camp, nostalgia and Tenacious D |
2019 |
Heavy metal at the movies |
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Christol, Florent |
Heavy metal carnival: ”Trick or Treat” and the cultural figure of the foolkiller |
2019 |
Heavy metal at the movies |
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Scott, Niall W.R. |
Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage” |
2019 |
Heavy metal at the movies |
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