| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
|
|
|
Serrano Espejo, Fernando |
Perspectiva gráfica de Heavy -y- Metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
271-282 |
|
|
|
St-Laurent, Méi-Ra |
“It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene |
2019 |
Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi |
|
267-272 |
|
|
|
Biliński, Pawel |
Rockin mock! Parodystyczne komponenty Oto Spinal Tap Roba Reinera |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
265-274 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Wróblewski, Michal |
Diabelska poza Glenna Danziga. Perspektywa jungowska |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
245-255 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Checa García, Fernando |
Internet y heavy metal: la simbiosis necesaria |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
243-270 |
|
|
|
Gruszka, Alicja |
Koncert zespolu Behemoth jako performans artystyczny |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
229-238 |
|
|
|
Díaz, Nelson Varas |
Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy |
2019 |
HIOL: Hispanic Issues On Line |
|
226-251 |
|
