| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
|
|
|
Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
|
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
|
|
Lesourd, Élodie; Guesde, Catherine; Guibert, Gérôme |
Élodie Lesourd, Black metal et art contemporain : pour une migration des symboles |
2019 |
Volume! La revue des musiques populaires |
15:2 |
71-89 |
|
|
|
Okunew, Nikolai |
Red Metal – Heavy Metal als eine Subkultur der DDR |
2019 |
Rundfunk und Geschichte |
45 |
66-67 |
|
|
|
Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
|
|
|
Hellrich, Johannes; Rzymski, Christoph |
Computational Detection of Medieval References in Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
57-70 |
|
|
|
Beauguitte, Laurent; Pecout, Hugues |
Les mondes du metal d’après l’Encylopedia Metallum |
2019 |
Volume! La revue des musiques populaires |
15:2 |
57-69 |
|
|
|
Whitting, Samuel; Klimentou, Paige; Rogers, Ian |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive |
2019 |
Australian Metal Music |
|
55-70 |
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
