| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Swinford, Dean |
Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
121-136 |
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
|
|
|
Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
